{"id":6328,"date":"2020-07-20T11:30:06","date_gmt":"2020-07-20T11:30:06","guid":{"rendered":"http:\/\/tschernuth.com\/de\/?p=6328"},"modified":"2020-09-06T10:08:15","modified_gmt":"2020-09-06T10:08:15","slug":"music-production-contemporary-art","status":"publish","type":"post","link":"https:\/\/tschernuth.com\/de\/music-production-contemporary-art\/","title":{"rendered":"Music production for contemporary art"},"content":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column][qode_elements_holder number_of_columns=”one_column” switch_to_one_column=”1000″ alignment_one_column=”center”][qode_elements_holder_item vertical_alignment=”top” advanced_animations=”no”][vc_single_image image=”6338″ img_size=”full” onclick=”link_image” qode_css_animation=”” qode_hover_animation=”darken”][vc_column_text]\u00a9 Daimler Art Collection<\/span>[\/vc_column_text][vc_column_text css=”.vc_custom_1599386892622{padding-top: 20px !important;padding-bottom: 20px !important;}”]<\/p>\n

I had the pleasure to work with artist Ulrike Flaig<\/a>. Her work Picture in Motion<\/em><\/a> is part of the exhibition 31: Women<\/a> at Daimler Contemporary in Berlin Potsdamer Platz.<\/p>\n

Picture in Motion<\/em> is a Hommage to A. Fleischmann and his painting Opus #19. Ulrike Flaig transforms the abstract configuration of black surfaces, angular forms and horizontal lines into a three-dimensional painting in her spatial installation Picture in Motion<\/em>. \u201cWith this installation I have made a picture not only \u2018visible\u2019 but also \u2018audible.\u2019 By analysing the painting, I have worked out a structure and used it as a basis for a notation. This in turn is the prerequisite for an acoustic reproduction of the picture.\u201d<\/p>\n

I took care of the production of the music, following the composition that Ulrike Flaig has transcribed from the painting. As the original painting was done in the early 50s I had the idea to use a very early kind of synthesizer for this task, the Ondes Martenot.This very special instrument has been used in the past by movie composers like Elmer Bernstein or Maurice Jarre, it sounds alive and imperfect – just like the brush strokes of an artist. The individual timbre oscillates in subtle nuances, just as the light breaks differently in the fine lines of the oil paint. As you can walk through the painting, feel it, see it and listen to it, Ulrike Flaigs work touches all of your senses at once. It\u2019s a very special experience, and I\u2019m happy to be part of it. See it live at:<\/p>\n

31: Women<\/a>
\nDAIMLER CONTEMPORARY (Haus Huth)
\nAlte Potsdamer Stra\u00dfe 5, 10785 Berlin<\/p>\n

Open daily between 11 am-6 pm until 27th of June 2021<\/p>\n

[\/vc_column_text][vc_single_image image=”6339″ img_size=”full” onclick=”custom_link” img_link_target=”_blank” qode_css_animation=”” qode_hover_animation=”darken” link=”https:\/\/vimeo.com\/453542677″][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column offset=”vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”50px”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

Last year I had the pleasure to work with artist Ulrike Flaig…<\/p>\n","protected":false},"author":3,"featured_media":6338,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/tschernuth.com\/de\/wp-json\/wp\/v2\/posts\/6328"}],"collection":[{"href":"https:\/\/tschernuth.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tschernuth.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tschernuth.com\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/tschernuth.com\/de\/wp-json\/wp\/v2\/comments?post=6328"}],"version-history":[{"count":6,"href":"https:\/\/tschernuth.com\/de\/wp-json\/wp\/v2\/posts\/6328\/revisions"}],"predecessor-version":[{"id":6387,"href":"https:\/\/tschernuth.com\/de\/wp-json\/wp\/v2\/posts\/6328\/revisions\/6387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tschernuth.com\/de\/wp-json\/wp\/v2\/media\/6338"}],"wp:attachment":[{"href":"https:\/\/tschernuth.com\/de\/wp-json\/wp\/v2\/media?parent=6328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tschernuth.com\/de\/wp-json\/wp\/v2\/categories?post=6328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tschernuth.com\/de\/wp-json\/wp\/v2\/tags?post=6328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}